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The Matrix

The Matrix is a 1999 sci-fi activity film[5][6] composed and coordinated by the Wachowskis.[a] It is the primary portion in The Matrix film series, featuring Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, and Joe Pantoliano. It portrays a tragic future wherein humankind is unwittingly caught inside a mimicked reality, the Matrix, which savvy machines have made to divert people while involving their bodies as an energy source.[7] When software engineer Thomas Anderson, under the programmer nom de plume "Neo", uncovers reality, he joins an insubordination to the machines alongside others who have been liberated from the Matrix.

The Matrix is an illustration of the cyberpunk subgenre of science fiction.[8] The Wachowskis' way to deal with activity scenes was impacted by Japanese animation[9] and combative techniques films, and the film's utilization of battle choreographers and wire fu methods from Hong Kong activity film affected resulting Hollywood activity film creations. The film promoted an enhanced visualization known as "projectile time", in which the elevated view of specific characters is addressed by permitting the activity inside a shot to advance in sluggish movement while the camera seems to travel through the scene at typical speed, permitting the accelerated developments of specific characters to be seen regularly.

The Matrix opened in performance centers in the United States on March 31, 1999 to far reaching recognition from pundits, who commended its imaginative enhanced visualizations, activity groupings, cinematography and diversion value,[10][11] and was an enormous accomplishment in the cinema world, netting more than $460 million on a $63 million spending plan, turning into the most elevated earning Warner Bros. film of 1999 and the fourth most noteworthy netting film of that year. At the 72nd Academy Awards, the film won every one of the four classes it was selected for, Best Visual Effects, Best Film Editing, Best Sound, and Best Sound Editing. The movie was likewise the beneficiary of various different honors, including Best Sound and Best Special Visual Effects at the 53rd British Academy Film Awards, and the Wachowskis were granted Best Director and Best Science Fiction Film at the 26th Saturn Awards. The film is viewed as among the best sci-fi movies of all time,[12][13][14] and in 2012, the film was chosen for protection in the United States National Film Registry by the Library of Congress for being "socially, by and large, and stylishly significant."[15]

The movie's prosperity prompted two element movie spin-offs being delivered in 2003, The Matrix Reloaded and The Matrix Revolutions, which were additionally composed and coordinated by the Wachowskis. The Matrix establishment was additionally extended through the development of comic books, computer games and enlivened short movies, with which the Wachowskis were intensely involved. The establishment has additionally motivated books and hypotheses developing a portion of the strict and philosophical thoughts implied in the movies. A fourth film, named The Matrix Resurrections, was delivered on December 22, 2021.

Plot

At an unwanted inn, a police crew corners Trinity, who overwhelms them with godlike capacities. She escapes, sought after by the police and a gathering of fit Agents equipped for comparable godlike accomplishments. She answers a ringing public phone and disappears.

Software engineer Thomas Anderson, known by his hacking nom de plume "Neo", is confounded by rehashed internet based experiences with the expression "the Matrix". Trinity reaches him and lets him know a man named Morpheus has the responses Neo looks for. A group of Agents and police, drove by Agent Smith, shows up at Neo's working environment looking for him. However Morpheus endeavors to direct Neo to somewhere safe, Neo acquiescence instead of chance a perilous getaway. The Agents endeavor to force Neo into assisting them with finding Morpheus, who they guarantee is a fear monger. At the point when Neo rejects, the Agents combine his mouth shut and embed a mechanical "bug" in his stomach. Neo awakens from what he accepts to be a bad dream. Before long, Neo is taken by Trinity to meet Morpheus, and she eliminates the bug from Neo, showing that the "bad dream" he encountered was evidently genuine.

Morpheus offers Neo a decision between two pills: red to uncover reality with regards to the Matrix, and blue to fail to remember all that and return to his previous life. As Neo takes the red pill, his world starts to contort, and he before long stirs in a fluid filled case among endless different units, containing different people. He is then brought on board Morpheus' flying boat, the Nebuchadnezzar.

As Neo recovers from a long period of actual idleness in the case in the fallout of being redpilled, Morpheus makes sense of the circumstance: In the mid 21st 100 years, a conflict broke out among humankind and savvy machines. After people obstructed the machines' admittance to sun based energy by conveying atomic weapons, the machines answered by catching people and reaping their bioelectric power, while keeping their brains mollified in the Matrix, a common mimicked reality demonstrated on the world as it was in 1999. The machines won the conflict, and the excess free people took shelter in the underground city of Zion. Morpheus and his team are a gathering of radicals who hack into the Matrix to "turn off" subjugated people and select them; how they might interpret the Matrix's recreated nature permits them to twist its actual regulations. Morpheus cautions Neo that passing inside the Matrix kills the actual body, as well, and makes sense of that the Agents are conscious projects that dispense with dangers to the framework, while machines called Sentinels take out rebels in reality. Neo's ability during virtual preparation concretes Morpheus' conviction that Neo is "the One," a human forecasted to free mankind.

The gathering enters the Matrix to visit the Oracle, the prophet who anticipated that the One would arise. She suggests to Neo that he isn't the One and cautions that he should pick either Morpheus' life and his own. Before they can leave the Matrix, Agents and police trap the gathering, warned by Cipher, a disappointed team part who has sold out Morpheus in return for an agreeable life in the Matrix. While trying to delay for the others, Morpheus battles Smith and is caught. Figure leaves the Matrix and murders the other team individuals as they lie oblivious. Before Cipher can kill Neo and Trinity, group part Tank recovers cognizance and kills him prior to pulling Neo and Trinity from the Matrix.

The Agents examine Morpheus to gain proficiency with his entrance codes to the centralized server PC in Zion, which would permit them to annihilate it. Neo makes plans to get back to the Matrix to save Morpheus, as the Oracle forecasted; Trinity demands she go with him. While saving Morpheus, Neo additions trust in his capacities, performing accomplishments practically identical to those of the Agents. After Morpheus and Trinity securely leave the Matrix, Smith ambushes and kills Neo. While a gathering of Sentinels assault the Nebuchadnezzar, Trinity admits her adoration for Neo and says the Oracle told her she would experience passionate feelings for the One. Neo is resuscitated, with recently discovered capacities to see and control the Matrix; he effectively overcomes Smith, inciting different Agents to escape, and he leaves the Matrix similarly as the boat's electromagnetic heartbeat impairs the Sentinels.

Back in the Matrix, Neo settles on a phone decision, promising the machines that he will show their detainees "an existence where the sky is the limit." He hangs up and takes off.

Project

• See moreover: List of Matrix series characters
• Keanu Reeves as Thomas Anderson/Neo: A software engineer, conceived Thomas A. Anderson, who furtively works as a programmer named Neo. Reeves depicted his personality as somebody who felt that something was off-base, and was looking for Morpheus and reality to separate free.[16] Will Smith turned the job of Neo to make Wild West, on account of distrust over the film's aggressive projectile time unique effects.[17] He later expressed he was "not adult enough as an entertainer" at that time,[17] and that whenever given the job, he "would have wrecked it up".[18][19] Smith commended Reeves by his portrayal.[20] Nicolas Cage additionally turned down the part in view of "family obligations".[21] Warner Bros. looked for Brad Pitt or Val Kilmer for the role.[22] When both declined, Leonardo DiCaprio at first acknowledged the job, in any case turned it down since he would have rather not done a special visualizations movie straightforwardly after Titanic.[23] The studio pushed for Reeves, who prevailed upon the job Johnny Depp, the Wachowskis' first choice.[22] Lorenzo di Bonaventura expressed that the screenplay was likewise shipped off Sandra Bullock, with the idea of reworking Neo as a female.[23]
• Laurence Fishburne as Morpheus: A human liberated from the Matrix and chief of the Nebuchadnezzar. Fishburne expressed that once he read the content, he didn't see the reason why others thought that it is befuddling. Be that as it may, he felt quite wary if the film could at any point be made, on the grounds that it was "so smart".[16] The Wachowskis educated Fishburne to put together his exhibition with respect to the person Morpheus in Neil Gaiman's Sandman comics.[24] Gary Oldman, Samuel L. Jackson and Val Kilmer were likewise considered for the part.[22] Despite broad bits of hearsay, Sean Connery was offered the job of the Architect in the spin-offs, not that of Morpheus.[25]
• Carrie-Anne Moss as Trinity: A human liberated by Morpheus, a crewmember of the Nebuchadnezzar, and later Neo's heartfelt interest. Subsequent to perusing the content, Moss expressed that from the beginning, she didn't really accept that she needed to do the super aerobatic activities as portrayed in the content. She likewise questioned how the Wachowskis would get to coordinate a film with a financial plan so enormous, yet in the wake of expenditure an hour with them going through the storyboard, she comprehended the reason why certain individuals would trust them.[16] Moss referenced that she went through a three-hour actual test during projecting, so she knew what's in store subsequently.[26] The job made Moss, who later said, "I had no vocation previously. None."[27] Janet Jackson was at first drawn closer for the job however planning clashes kept her from tolerating it.[28][29] In a meeting, she expressed that turning down the job was hard for her, so she later referred to The Matrix in the 'Introduction' and 'Outro' recesses on her 10th studio collection Discipline.[30] Sandra Bullock, who was recently drawn closer for the job of Neo, was additionally offered the job of Trinity, yet she turned it down.[31] Salma Hayek and Jada Pinkett Smith (who might later play Niobe in the continuations) both tried out for the role.[32]
• Hugo Weaving as Agent Smith: A conscious "Specialist" program of the Matrix whose intention is to obliterate Zion and prevent people from escaping the Matrix. Not at all like different Agents, he has desires to liberate himself from his obligations. Winding around expressed that he found the person entertaining and pleasant to play. He fostered an impartial highlight yet with more unambiguous person for the job. He believed Smith should sound neither automated nor human, and furthermore said that the Wachowskis' voices had affected his voice in the film. While recording started, Weaving referenced that he was eager to be a piece of something that would expand him.[33] Jean Reno was offered the job, yet declined, reluctant to move to Australia for the production.[34]
• Joe Pantoliano as Cipher: Another human liberated by Morpheus, and a crewmember of the Nebuchadnezzar, however one who second thoughts taking the red pill and tries to be gotten back to the Matrix, later deceiving the radicals to Agent Smith. Pantoliano had worked with the Wachowskis before showing up in The Matrix, featuring in their 1996 film Bound.
• Marcus Chong as Tank: The "administrator" of the Nebuchadnezzar and Dozer's sibling; they are both "normal" (rather than reproduced) people, brought into the world beyond the Matrix.
• Anthony Ray Parker as Dozer: Pilot of the Nebuchadnezzar. He is Tank's sibling, and like him was brought into the world beyond the Matrix.
• Julian Arahanga as Apoc: A liberated human and a group part on the Nebuchadnezzar.
• Matt Doran as Mouse: A liberated human and a developer on the Nebuchadnezzar.
• Gloria Foster as The Oracle: A prophet who actually lives in the Matrix, assisting the liberated people with her foreknowledge and shrewdness.
• Belinda McClory as Switch: A human liberated by Morpheus, and a group individual from the Nebuchadnezzar.
• Paul Goddard as Agent Brown: One of two conscious "Specialist" programs in the Matrix, who works with Agent Smith to obliterate Zion and prevent people from getting away from the framework.
• Robert Taylor as Agent Jones: One of two conscious "Specialist" programs in the Matrix who works with Agent Smith to annihilate Zion and prevent people from getting away from the framework.
• Ada Nicodemou as DuJour: A reference to the White Rabbit in Alice's Adventures in Wonderland.
• 
  

Creation
Advancement

In 1994, the Wachowskis introduced the content for the film Assassins to Warner Bros. Pictures. After Lorenzo di Bonaventura, the leader of creation of the organization at that point, read the content, he chose to purchase freedoms to it and included two additional photos, Bound and The Matrix, in the agreement. The primary film the Wachowskis coordinated, Bound, then, at that point, turned into a basic achievement. Utilizing this force, they later requested to coordinate The Matrix.[35]

In 1996, the Wachowskis pitched the job of Neo to Will Smith. Smith made sense of on his YouTube channel that the thought was for him to be Neo, while Morpheus was to be played by Val Kilmer. He later made sense of that he didn't exactly comprehend the idea and he turned down the job to rather film Wild West.[36]

Maker Joel Silver before long joined the task. Albeit the venture had key allies, including Silver and Di Bonaventura, to impact the organization, The Matrix was as yet an enormous speculation for Warner Bros., which needed to contribute $60 million to make a film with philosophical subjects and troublesome exceptional effects.[35] The Wachowskis hence recruited underground comic book specialists Geof Darrow and Steve Skroce to draw a 600-page, shot-by-shot storyboard for the whole film.[37] The storyboard at last procured the studio's endorsement, and it was chosen to film in Australia to capitalize on the budget.[35] Soon, The Matrix turned into a co-creation of Warner Bros. furthermore, Village Roadshow Pictures.[38] According to supervisor Zach Staenberg on the DVD sound critique track, the creation group sent an alter of the film's most memorable minutes (highlighting Trinity's experience with police and Agents) to Warner chiefs, and got Warner's "all out help of the film" from that point on.[39]

Pre-creation

The cast were expected to have the option to comprehend and make sense of The Matrix.[35] French savant Jean Baudrillard's Simulacra and Simulation was required perusing for the vast majority of the chief cast and crew.[40] In mid 1997, the Wachowskis had Reeves perused Simulacra and Simulation, Kevin Kelly's Out of Control: The New Biology of Machines, Social Systems, and the Economic World, and Dylan Evans' thoughts on developmental brain science even before they opened up the script,[16] and in the long run he had the option to make sense of the relative multitude of philosophical subtleties involved.[35] Moss remarked that she experienced issues with this process.[16]

The chiefs had for quite some time been admirers of Hong Kong activity film, so they chose to recruit the Chinese combative techniques choreographer and movie chief Yuen Woo-ping to chip away at battle scenes. To plan for the wire fu, the entertainers needed to prepare hard for a few months.[35] The Wachowskis previously booked four months for preparing, starting in October 1997.[41] Yuen was hopeful however at that point started to stress when he understood how ill suited the entertainers were.[26]

Yuen let their body style create and afterward worked with every entertainer's solidarity. He based on Reeves' persistence, Fishburne's versatility, Weaving's accuracy, and Moss' ladylike grace.[26] Yuen planned Moss' moves to suit her deftness and lightness.[42] Prior to the pre-creation, Reeves went through a two-level combination of his cervical (neck) spine because of spinal string pressure from a herniated circle ("I was falling over in the shower in the morning").[43] He was all the while recuperating when of pre-creation, however he demanded preparing, so Yuen let him practice punches and lighter moves. Reeves prepared hard and, surprisingly, mentioned preparing on days off. Be that as it may, the medical procedure actually made him incapable to kick for two out of four months of preparing. Subsequently, Reeves didn't kick much in the film.[26] Weaving needed to go through hip medical procedure after he supported a physical issue during the preparation process.[35]

Shooting

Everything except a couple of scenes were shot at Fox Studios in Sydney, and in the actual city, albeit unmistakable milestones were excluded from request to keep up with the impression of a nonexclusive American city. The recording laid out New South Wales as a significant film creation center.[44] Filming started in March 1998 and enveloped by August 1998; head photography took 118 days.[45]

Because of Reeves' neck injury (see over), a portion of the activity scenes must be rescheduled to sit tight for his full recuperation. Thus, the shooting started with scenes that didn't need much physical exertion,[46], for example, the scene in Thomas Anderson's office, the cross examination room,[33] or the vehicle ride in which Neo is taken to see the Oracle.[47] Locations for these scenes included Martin Place's wellspring in Sydney, somewhere between it and the nearby Colonial Building, and the Colonial Building itself.[48] During the scene set on an administration building housetop, the group recorded additional recording of Neo avoiding disasters on the off chance that the projectile time process didn't work. The slug time battle scene was shot on the top of Symantec Corporation working in Kent Street, inverse Sussex Street.[49]

Greenery played out the shots highlighting Trinity toward the start of the film and all the wire stunts herself.[42] The housetop set that Trinity uses to escape from Agent Brown right off the bat in the film was left over from the creation of Dark City, which has provoked remarks because of the topical likenesses of the films.[50] During the practice of the hall scene, in which Trinity runs on a wall, Moss harmed her leg and was at last unfit to film the shot in one take. She expressed that she was under a ton of tension at that point and was crushed when she understood that she would not be able to do it.[51]

The dojo set was assembled well before the real recording. During the recording of these activity groupings, there was huge actual contact between the entertainers, procuring them wounds. Reeves' physical issue and his deficient preparation with wires preceding shooting implied he couldn't play out the triple kicks acceptably and became baffled with himself, creating the situation to be deferred. The scene was shot effectively a couple of days after the fact, with Reeves utilizing just three takes. Yuen changed the movement and made the entertainers hold back in the last succession of the scene, making a preparation feel.[52]

The producers initially wanted to shoot the metro scene in a genuine tram station, yet the intricacy of the battle and related wire work required shooting the scene on a set. The set was worked around a current train storage space, which had genuine train tracks. Shooting the scene when Neo hammered Smith into the roof, Chad Stahelski, Reeves' trick twofold, supported a few wounds, including broken ribs, knees, and a disjoined shoulder. One more double was harmed by a water powered puller during a shot in which Neo was banged into a booth.[53] The place of business where Smith cross examined Morpheus was an enormous set, and the external view from inside the structure was a huge, three story high cyclorama. The helicopter was a full-scale light-weight model suspended by a wire rope worked a shifting system mounted to the studio roofbeams. The helicopter had a genuine minigun side-mounted to it, which was set to cycle at a portion of its normal (3,000 rounds for each min) shooting rate.[54]

To plan for the scene in which Neo awakens in a case, Reeves shed 15 pounds and shaved his entire body to give Neo a starved look. The scene wherein Neo fell into the sewer framework closed the head photography.[45] According to The Art of the Matrix, no less than one shot scene and various short bits of activity were overlooked from the finished product of the film.[55]

Audio cues and music

See too: The Matrix: Original Motion Picture Score and The Matrix: Music from the Motion Picture

Dane A. Davis was liable for making the audio cues for the film. The battle scene audio effects, like the whipping hints of punches, were made utilizing flimsy metal poles and recording them, then altering the sounds. The unit containing a human body shutting required very nearly fifty sounds put together.[56]

The film's score was created by Don Davis.[57][58] He noticed that mirrors show up regularly in the film: impressions of the blue and red pills are found in Morpheus' glasses; Neo's catch by Agents is seen through the back view reflection of Trinity's cruiser; Neo notices a messed up reflect patching itself; reflections twist as a spoon is bowed; the impression of a helicopter is apparent as it moves toward a high rise. Davis zeroed in on this subject of reflections while making his score, shifting back and forth between segments of the ensemble and endeavoring to consolidate contrapuntal thoughts. Davis' score joins symphonic, choral and synthesizer components; the harmony between these components shifts relying upon whether people or machines are the predominant subject of a given scene.[59] notwithstanding Davis' score, The Matrix soundtrack likewise includes music from acts like Rammstein, Rob Dougan, Rage Against the Machine, Propellerheads, Ministry, Lunatic Calm, Deftones, Monster Magnet, The Prodigy, Rob Zombie, Meat Beat Manifesto, and Marilyn Manson.[60][61][62]

Creation plan

See too: Matrix computerized downpour

In the film, the code that makes the actual Matrix is much of the time addressed as descending streaming green characters.[63] This code utilizes a custom typeface planned by Simon Whiteley,[38] which incorporates perfect representations of half-width kana characters and Western Latin letters and Arabic numerals.[64] In a 2017 meeting at CNET, he credited the plan to his significant other, who is from Japan, and added, "I like to let everyone know that The Matrix's code is made from Japanese sushi recipes".[65] "green mirrors the green color ordinarily utilized on early monochrome PC monitors".[66] Lynne Cartwright, the Visual Effects Supervisor at Animal Logic, regulated the formation of the film's initial title succession, as well as the general look of the Matrix code all through the film, as a team with Lindsay Fleay and Justen Marshall.[38] The depiction looks like the initial credits of the 1

Discharge
Home media

The Matrix was delivered on DVD and Laserdisc in its unique perspective proportion of 2.35:1 on September 21, 1999 in the US from Warner Home Video as well as in an edited 1.33:1 viewpoint proportion in Hong Kong from ERA Home Entertainment. It was likewise delivered on VHS in both fullscreen and widescreen designs followed on December 7, 1999.[5] After its DVD discharge, it was the main DVD to sell more than 1,000,000 duplicates in the US.[82] By 2000, the film proceeded to turn into the first to sell multiple million duplicates in the US.[35] By November 10, 2003, one month after The Matrix Reloaded DVD was delivered, the deals of The Matrix DVD had surpassed 30 million copies.[83] It then, at that point, appeared on both VHS and DVD designs in the UK on November 29, 1999. The Matrix sold in excess of 107,000 DVD duplicates in only fourteen days, breaking Armageddon's record for turning into the nation's top rated DVD title.[84] The Ultimate Matrix Collection was delivered on HD DVD on May 22, 2007[82] and on Blu-beam on October 14, 2008.[85][86] The film was likewise delivered independent in a tenth commemoration version Blu-beam in the Digibook design on March 31, 2009, 10 years to the day after the film was delivered theatrically.[87] In 2010, the film had another DVD discharge alongside the two continuations as The Complete Matrix Trilogy. It was additionally delivered on 4K HDR Blu-beam on May 22, 2018.[88] The film as a component of The Matrix Trilogy was delivered on 4K Ultra HD Blu-beam on October 30, 2018.[89]

Different media

The establishment additionally contains three computer games: Enter the Matrix (2003), which contains film shot explicitly for the game and narratives occasions occurring previously and during The Matrix Reloaded;[90] The Matrix Online (2004), a MMORPG which proceeded with the story past The Matrix Revolutions;[91][92] and The Matrix: Path of Neo (2005), which centers around Neo's excursion through the set of three of films.[93]

The establishment likewise incorporates The Matrix Comics, a progression of comics and brief tales set in the realm of The Matrix, composed and showed by figures from the comics business. The majority of the comics were initially introduced free of charge on the authority Matrix website;[94] they were subsequently republished, alongside some new material, in two printed collection volumes, called The Matrix Comics, Vol 1 and Vol 2.[95]

Gathering
Film industry

The Matrix netted $27.8 million during its initial end of the week, as well as procuring $34.7 million in its initial five days. It outperformed Lost in Space for having the greatest April opening end of the week. The film likewise had the second-most elevated opening end of the week for a spring starter film, limping along Liar Liar.[96] Three years after the fact in 2002, The Matrix's record for having the biggest April opening end of the week would be taken by The Scorpion King.[97] In its unique run, the film procured $171,479,930 (37.0%) in the United States and Canada and $292,037,453 (63.0%) in different nations, for an overall complete of $463,517,383.[5] In North America, it turned into the fifth most elevated netting film of 1999 and the most elevated earning R-evaluated film of that year. Around the world, it was the fourth most noteworthy earning film of the year.[5] The Matrix turned into the second-most elevated netting Warner Bros. film ever, behind Twister.[98] Following re-delivers, the overall gross of the film is $466,621,824.[5] In 2012, it was put 122nd on the rundown of most elevated netting movies ever, and the second most noteworthy earning film in the Matrix establishment after The Matrix Reloaded ($742.1 million).[5]

Basic reaction

The Matrix was adulated by numerous pundits, as well as producers, and creators of science fiction,[11] particularly for its "awesome activity" scenes and its "weighty embellishments". Some have depicted The Matrix as one of the most incredible sci-fi movies of all time;[12][13] Entertainment Weekly referred to The Matrix as "the most compelling activity film of the generation".[27] There have likewise been those, including thinker William Irwin, who have recommended that the film investigates critical philosophical and otherworldly subjects. On survey aggregator Rotten Tomatoes, the film holds an endorsement rating of 88% in light of 159 audits, with a typical score of 7.80/10. The site's basic agreement peruses, "Because of the Wachowskis' creative vision, The Matrix is a keenly created blend of terrific activity and notable extraordinary effects".[10] At Metacritic, which doles out a rating out of 100 to surveys from standard pundits, the movie got a score of 73 in view of 35 surveys, designating "by and large positive reviews."[11] Audiences surveyed by CinemaScore provided the movie with a typical grade of "A-" on an A+ to F scale.[99] It positioned 323rd among pundits, and 546th among chiefs, in the 2012 Sight and Sound surveys of the best movies ever made.[100]

Philip Strick remarked in Sight and Sound, if the Wachowskis "guarantee no creativity of message, they are surprising trend-setters of strategy," lauding the film's subtleties and its "main side of shocking images".[101] Roger Ebert gave the film three stars out of four: he commended the film's visuals and reason, yet hated the third demonstration's emphasis on action.[102] Similarly, Time Out adulated the "entertainingly cunning" switches between various real factors, Hugo Weaving's "engagingly odd" execution, and the film's cinematography and creation configuration, however finished up, "the promising reason is consistently squandered as the film transforms into a genuinely standard activity pic ... one more cut of overlong, high idea hokum."[103]

Jonathan Rosenbaum of the Chicago Reader audited the film adversely, scrutinizing it as "stupid diversion for generally the primary hour, until the film becomes overpowered by its many sources ... There's very little humor to keep it all life-size, and by the last stretch it's become swollen, mechanical, and tiresome."[104]

Ian Nathan of Empire portrayed Carrie-Anne Moss as "a significant find", commended the "dreamlike visual highs" empowered by the shot time (or "flo-mo") impact, and depicted the film as "in fact staggering, style blended impeccably with content and just so damn cool". That's what nathan commented albeit the film's "looney plot" wouldn't face examination, that was not a major imperfection in light of the fact that "The Matrix is about unadulterated experience".[105] Maitland McDonagh said in her survey for TV Guide, the Wachowskis' "into another world plot... figures out how to function admirably on various levels: as a tragic science fiction thrill ride, as a splendid reason for the film's extravagant and hyperkinetic battle scenes, and as a really convincing call to the dead-over the-eyeballs masses to join together and cast off their chains... This stunning pop moral story is saturated with a dim, thick reasonableness that rises above nostalgic pastiche and stands solidly all alone merits."[106]

Salon's commentator Andrew O'Hehir recognized that albeit The Matrix is in his view an essentially juvenile and predictable film ("It needs anything like grown-up feeling... this pseudo-otherworldly hokum, alongside the over-sloped surge of embellishments — some of them very astounding — will hold 14-year-old young men in delight, also any of us of any age sexual orientations who actually harbor a 14-year-old kid some place inside"), he closed, "as in Bound, there's an engaging degree and trying to the Wachowskis' work, and their energy for more unexpected developments and more insane pictures turns out to be progressively irresistible. In a restricted and significantly nerdy sense, this may be a significant and liberal film. The Wachowskis have little inclination for character or human association, yet their enthusiasm for films — for making them, watching them, occupying their reality — is unadulterated and deep."[107]

Producers and sci-fi makers the same for the most part took a free viewpoint of The Matrix. William Gibson, a vital figure in cyberpunk fiction, referred to the film as "a guiltless pleasure I hadn't felt in quite a while," and expressed, "Neo is my most loved ever sci-fi legend, absolutely."[108] Joss Whedon referred to the film as "my main" and lauded its narrating, design and profundity, closing, "It deals with anything that level you need to bring to it."[109] Darren Aronofsky remarked, "I left The Matrix ... furthermore, I was thinking, 'What sort of sci-fi film can individuals make now?' The Wachowskis essentially took all the extraordinary science fiction thoughts of the twentieth hundred years and folded them into a delectable mainstream society sandwich that everybody in the world devoured."[110] M. Night Shyamalan communicated adoration for the Wachowskis, expressing, "Anything that you consider The Matrix, each shot is there in view of the enthusiasm they have! You can see they contended it out!".[111] Simon Pegg said that The Matrix gave "the energy and fulfillment that The Phantom Menace neglected to motivate. The Matrix appeared to be new and cool and outwardly stunning; making brilliant, keen utilization of CGI to expand the on-screen activity, finding some kind of harmony of the genuine and the hyperreal. It was potentially the coolest film I had ever seen."[112] Quentin Tarantino considered The Matrix one of his twenty most loved motion pictures from 1992 to 2009.[113] James Cameron referred to it as "one of the most significantly new sci-fi films ever made".[114] Christopher Nolan depicted it as "a staggeringly obvious standard peculiarity that made individuals think, Hey, consider the possibility that this isn't real?"[115]

Awards

Primary article: List of awards got by the Matrix establishment

The Matrix got Academy Awards for Best Film Editing, Best Sound Editing, Best Visual Effects and Best Sound. The movie producers were going up against different movies with laid out establishments, similar to Star Wars Episode I: The Phantom Menace, yet they won each of the four of their nominations.[116][117] The Matrix likewise got BAFTA grants for Best Sound and Best Achievement in Special Visual Effects, notwithstanding selections in the cinematography, creation plan and altering categories.[118] In 1999, it won Saturn Awards for Best Science Fiction Film and Best Direction.[119] In February 2022, the movie was named one of the five finalists for Oscars Cheer Moment as a feature of the Academy of Motion Picture Arts and Sciences' "Oscars Fan Favorite" challenge, for the "shot time" scene, completing in fifth place.[120][121]

Grants and selections

Award Category Name Outcome

Institute Awards Best Film Editing Zach Staenberg Won

Best Sound John Reitz, Gregg Rudloff, David Campbell, David Lee Won

Best Sound Effects Editing Dane A. Davis Won

Best Visual Effects John Gaeta, Janek Sirrs, Steve Courtley, Jon Thum Won

English Academy Film Awards Best Cinematography Bill Pope Nominated

Best Editing Zach Staenberg Nominated

Best Production Design Owen Paterson Nominated

Best Sound David Lee, John Reitz, Gregg Rudloff, David Campbell, Dane A. Davis Won

Best Special Visual Effects John Gaeta, Steve Courtley, Janek Sirrs, Jon Thum Won

Saturn Awards Best Science Fiction Film — Won

Best Director The Wachowskis[a] Won

Best Writer Nominated

Best Actor Keanu Reeves Nominated

Best Actress Carrie-Anne Moss Nominated

Best Supporting Actor Laurence Fishburne Nominated

Best Costumes Kym Barrett Nominated

Best Make-Up Nikki Gooley, Bob McCarron, Wendy Sainsbury Nominated

Best Special Effects John Gaeta, Janek Sirrs, Steve Courtley, Jon Thum Nominated

Topical examination

The Matrix is seemingly a definitive cyberpunk relic.

—William Gibson[8]

See too: The Matrix (establishment) § Influences and translations, and The Wachowskis § Personal lives

The Matrix attracts from and implies various true to life and scholarly works, and ideas from folklore, religion and reasoning, including the thoughts of Buddhism, Christianity, Gnosticism, Hinduism, and Judaism.[122]

Film and TV

The units where the machines keep people have been contrasted with pictures in Metropolis, and crafted by M. C. Escher.[123] A likeness to the eery universes of Swiss craftsman H.R. Giger was likewise recognized.[124][125] The units should be visible in Welcome to Paradox Episode 4 "News from D Street" from a 1986 short story[126] of a similar name by Andrew Weiner which broadcasted on September 7, 1998, on the SYFY Channel and has a strikingly comparative idea. In this episode the legend is ignorant he is living in augmented experience until he is told so by "the code man" who

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